"Striking... Extends, complicates, and enriches the definition of documentary." —Melissa Anderson, Artforum

"What makes the documentary a success is that the African immigrants are at once detached from standard cultural plugs (rhythmic music, soulful dancing, hand-clapping church services, confrontations with racists) and yet are not universalized. ...Instead, the radical detachment, the unconscious stream of European poetry and philosophy, and those frozen Alaskan landscapes make the ghosts even more haunting, more unfamiliar, more distant. They might exist in a place and a time that is inaccessible." —Charles Mudede, The Stranger

"Akomfrah's The Nine Muses wraps the viewer in literature, music and archive footage, summoning up a mood rather than a story that reflects on the immigrant experience and the violence of displacement with a majestic grace." —Jason Solomons, The Observer

"Cerebral and sensual, British filmmaker John Akomfrah's The Nine Muses considers the history of the African diaspora to postwar Europe through a highly unusual prism of structuralist cinema, archival footage, spoken-word recordings and the nine muses birthed by the union of Zeus and Mnemone, the Greek goddess of memory. Akomfrah's steady, patient pace [makes it] fascinating to absorb his many heady references." —Robert Koehler, Variety

"It's been a long time since a film has moved me in quite the way that John Akomfrah's The Nine Muses did." —Wendy Okoi-Obuli, Shadow and Act