“An original filmmaker of exquisite sensibility; one of the foremost filmmakers of creative nonfiction working right now.”  —Richard Brody, The New Yorker

“Critic’s Pick! Hits a remarkable balance.” —The New York Times

“As in Mbakam’s bravura nonfiction, the simplicity and directness of Mambar Pierrette belie a penetrating emotional and political vision.” —Devika Girish, Film Comment

“Packs a powerful punch!” —Cineaste

“A smartly spun tapestry of everyday life.” —Screen Daily

“Attuned to the rhythms of laboring women.” —Screen Slate

“One of the most refreshing revelations from the latest New York Film Festival… Eye-opening... magisterial.” —Cinergie

“Poignant. Mambar Pierrette is likely to resonate with audiences who are interested in stories of resilience and the human spirit. It offers a unique perspective on the lives of African women - one that is often overlooked in mainstream cinema.” —AKOROKO

“A striking and exceedingly realistic portrait of a woman, recreating her heroine’s daily life with sharpness and meaning, relying on her time at work, and on the entrée the sewing workshop’s open door provides to Pierrette’s world.” —Cinevox

“With extreme simplicity, and using the utmost discretion in her direction, Rosine Mbakam disappears behind the outlines of her character, who is crafted with fine strokes in a register that combines description with sharp social critique.” —Le Monde

“Both extremely personal and steeped in the bitterness of the real world.” —Télérama