La Commune: Paris, 1871

Directed by Peter Watkins

345 minutes / Color
French / English subtitles
Release: 2002
Copyright: 2000

La Commune and The Universal Clock are included together in a 3-DVD set

All of Peter Watkins films are events. When he tackles a historical moment of such magnitude as the Paris Commune of 1871, Watkins provokes, disturbs, jostles. The story, based on a thorough historical research, leads to an inevitable reflection about the present.

La Commune is the name given to the French revolutionary government established by the people of Paris during the Franco-Prussian War (1870-1871). On March 17 and 18, Parisians led an uprising against the national government, which fled the capital and re-established itself in Versailles. The radicals established a proletarian government in Paris, called the Central Committee of the National Guard, and set March 26 as the date for the election of a municipal council. This council became known as the Commune of 1871, and its members as Communards. Most Communards were followers of Louis Auguste Blanqui, a revolutionary held prisoner in Versailles by the head of the National Assembly, Adolphe Thiers. Other Communards supported the school of socialism expounded by the French philosopher Pierre Joseph Proudhon and members of the International Workingmen's Association, of which Karl Marx was then a corresponding secretary.

film still

For the film LA COMMUNE we travel back in time to 1871. A journalist for Versailles Television broadcasts a soothing and official view of events while a Commune television is set up to provide the perspectives of the Paris rebels. On a stage-like set, more than 200 actors interpret characters of the Commune, especially the Popincourt neighborhood in the XIth arrondissement. They voice their own thoughts and feelings concerning the social and political reforms. The telling of this story rests primarily on depicting the people of the Commune, and those who suppressed them.

Deliberately, this film is an attempt to challenge existing notions of documentary film, as well as the notions of 'neutrality' and 'objectivity' so beloved by the mass media today.

For Peter Watkins, to make a film is to question his own work as a filmmaker. LA COMMUNE represents an uncompromising challenge to modern media and a penetrating critique.

"An intellectually challenging and tremendously moving experience, as history replayed among its contemporary ruins… LA COMMUNE is meant to evoke the unfamiliar sensation of revolutionary euphoria, or living (and dying) in a sacred time." —J. Hoberman, Village Voice

"Stunning. Peter Watkins's approach to history is to make its representation coincide with reflection on it, to film, together with the re-enactment, the idea  what history means for us today." —Boston Phoenix

"The energy, conviction and skill with which the players of LA COMMUNE perform is startling. So genuine is the force of their passion that at moments you feel they might be about to erupt and carry the revolt live into the auditorium." —Peter Lennon, The Guardian

 "Mesmerizing... A dialogue between past and present, with each time frame used to shape and define the other." —Jonathan Rosenbaum, The Chicago Reader

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A Film by Peter Watkins


Scene Selections
LA COMMUNE Discussion Guide
Peter Watkins Biography
Closed Captioned


Is there an alternative to run-of-the-mill TV? The film introduces us to Peter Watkins, who for the last three decades has proven that quality TV may be made without compromise.

Geoff Bowie | 2002 | 52 minutes | Color | English