A quartet of short films (on one DVD) that lay bare the reality of everyday life in the Democratic Republic of Congo.

Produced by Djo Tunda Wa Munga and Steve Markovitz, Congo in Four Acts screened at the Berlin Film Festival and Hot Docs, among 20 other international film festivals. It was developed from a successful training and production project in the DRC over nine months with the support of the INSAS film school in Belgium and the Jan Vrijman Fund in Holland.

Ladies in Waiting

Directed by Dieudo Hamadi & Divita Wa Lusala (24 minutes)

In a run-down maternity hospital, a ward of women who recently had their babies wait to be allowed to leave. The problem? They cannot pay their hospital fees. A long-suffering manager must negotiate collateral with them so that they will return and pay in full: a celebration dress, a pair of earrings, a suitcase. The film eloquently exposes both the squalid hospital system and the endemic poverty of Congo without, thankfully, pointing fingers, leaving that instead to the viewer.

Ladies in Waiting is also available on a separate DVD

Symphony Kinshasa

Directed by Kiripi Katembo Siku (15 minutes)

Take a hard-hitting tour through Congo's capitol city and discover the consequences of graft, neglect and poverty, as Siku's film reveals Kinshasa's imploding infrastructure. Malaria is rife, fresh water is as rare as flood water is common, electricity cables lie bare and live in the street, garbage is everywhere and as a priest notes "living in the capital is like living in a village. The services are the same, non-existent." It's not pretty but it's revelatory.

Zero Tolerance

Directed by Dieudo Hamadi (17 minutes)

Rape as a weapon of war has had much press, most notably in the recent Congo wars. Less discussed is the legacy it has left behind; a desensitized acceptance of the abuse of women at the hands of criminals, opportunists and most worryingly, ordinary men. Hamadi's documentary film aims to get right to the heart of the matter by following the arrest of a group of youths who attack a woman returning from the shops. Hamadi's focus is a rural community, where political correctness holds no sway, and in doing so he attempts to show both the depth of the problem and the attempts by authorities to reset the national moral code. The film's unexpected triumph is its honesty- both in the depiction of poverty and the community's burgeoning anger at the endemic abuse.

After the Mine

Directed by Kiripi Katembo Siku (14 minutes)

Kipushi is a mining town, one of thousands keeping Congo's elite in extreme wealth. But for those who live in the shadow of its toxic fallout, it is a very different life, one where tainted water and contaminated soil are realities. Siku's film tells the very personal stories of those trapped in such a deadly environment.

Select Accolades

• 2011 Society of Visual Anthropology Conference
  
• 2011 New York African Film Festival
  
• 2010 Berlin Film Festival
  
• 2010 Cinema du Reel Film Festival
  
• 2010 Hot Docs Film Festival