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The Sugar Curtain
A film by Camila Guzmán Urzúa
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In this revealing autobiographical portrait, the filmmaker, who was born in Santiago de Chile in 1971 but after the 1973 coup moved with her family to Cuba, returns to Havana to reflect on her childhood and adolescence during the "golden years" of the Cuban Revolution.

Growing up during the Seventies and Eighties, she recalls, Cuba seemed like a paradise, where the state provided everything-education, healthcare, housing, work-and she was part of an idealistic generation of young "Pioneers" enthusiastically dedicated to building a new society. Camila left Cuba in 1990, shortly before the collapse of the Soviet Union-which for decades had assured the island nation's economic survival-and the beginning of the "Special Period," which by the mid-Nineties saw the Cuban economy in ruins.

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In THE SUGAR CURTAIN, Camila revisits her elementary school, favorite gathering places and other sites of her childhood, and reminiscences about that period with former classmates, who also discuss their life in Cuba today, when they have had to adapt to food rationing and many other social and personal privations. In Cuba today, many have to take extra or illegal jobs in order to survive.

Although Camila and her former classmates have today largely become disillusioned because of the failure of the Revolution to deliver on its long-delayed promises, they remain nostalgic about a meaningful time in their lives and in the lives of their parents, the Revolution's first generation. THE SUGAR CURTAIN blends these alternately fond and disenchanted reminiscences with historical footage and photos, views of the sad remnants of deserted or decaying buildings in Havana, and scenes of the boisterous vitality of today's Cuban schoolchildren.

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As an autobiographical documentary highlighting the contrasting fortunes of the Cuban Revolution over the last two decades, THE SUGAR CURTAIN-which concludes with a sad roll call of Camila's former classmates who have left Cuba to live in other countries-offers a provocative historical perspective on one of the most significant turning points in 20th-century world history.

"A sensitive, complex portrayal of the Cuban Revolution that captures the broad arc of the revolution’s history from the 1960s to the present." —The Americas

"Highly recommended... An endearing and intimate reverie... distinguished by its refusal to conclude or preach... it helps the audience contemplate mixed and multiple Cuban realities."—Holly Ackerman, Educational Media Reviews Online

"Even-handed...uses the mirror of memory to underscore her personal sense of a lost paradise. Those on both sides of the great Cuba divide should find food for thought in these sober, realistic reflections."—Variety

"Personal and intimate...A classic portrait of a dream gone wrong."—Daily Screen

"Recaptures dreams, fantasies and histories of the past."—B. Ruby Rich, Toronto International Film Festival

""Both love story and memory of underdevelopment, THE SUGAR CURTAIN illuminates, with great sobriety and reverence, the paradox of a nation as steeped in tradition as it is in hypocrisy."—The Village Voice

"For those who've never seen Cuba up close, THE SUGAR CURTAIN offers an astonishing glimpse of the culture, one that's devoid of both the glamour and the manipulations of mainstream media. But even for those who feel they know the island well, it's a sobering statement that gives voices to what was to be the first generation of a new world."—New York Press

Best Documentary, 2007 Havana International Festival of New Latin American CInema
2007 San Francisco International Film Festival
2007 Tribeca Film Festival
Prix Louis Marcorelles, 2007 Cinéma du réel
2007 Berlin International Film Festival
2006 Toronto International Film Festival
FIPRESCI Award, Buenos Aires International Festival of Independent Cinema
  

80 minutes / color
Release: 2007
Copyright: 2006
Sale: $398

Subject areas:
Adolescence, Anthropology, Caribbean, Cuba, Cultural Anthropology, Cultural Studies, History (World), Latin American Studies, On 35mm

Related Links:
View a PDF of the Film's Press Kit
Also available for rental on 35mm, please inquire.


Related Titles:
They Are We: Anthropologist's film reunites a family 200 years after they were torn apart by the transatlantic slave trade.

Código Color, Memorias: An exploration of racism and skin color in Cuba during the 1950s.

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