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Human Faces Behind the Rain Forest: Indigenous People
Directed by Mady Samper
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HUMAN FACES BEHIND THE RAIN FOREST documents the dramatic opium poppy harvest in the Colombian rainforest through the experiences of indigenous peoples living there. Although social and economic conditions forced many of Colombia's indigenous communities into poppy production, in their own words they describe the social collapse associated with the illegal crop, from rampant alcoholism to chronic violence.

But several organizations are fighting these trends, like the Paez' Corporation for the Native Indian Women of Mama Wala, founded by Maria Lastenia Pito. In spite of death threats, she continues to fight for the eradication of the poppy flower. At the Quinteros Fish Farm, the Paez have progressively abandoned poppy production in favor of the lucrative fish production. And at a community meeting on the reservation of the Yanaconas Indians, the first definitive steps are being taken to end production of the illegal crop after years of bloodshed and turmoil.

However, problems persist for Colombia's indigenous population. The government fails to draw a distinction between drug cartels and peasant farmers, while dwindling government subsidies leave communities mired in poppy production. The flower, for many communities, still represents the only viable means of providing food and education for their people.

To complicate matters, government eradication programs like aerial fumigation have caused an ecological catastrophe and agricultural crisis, furthering the shortage of food and work, while having little effect on the drug trade itself.

A beautifully composed film, HUMAN FACES is simultaneously a revelation of the peasant origins of the Colombian opium poppy, an expose of how the flower's production affects the communities involved in the crop, and a plea to the international community for assistance.

"Highly Recommended! A series of statements by individuals from three different communities within the Patayo cultural group. Most express their need to get away from growing poppies and conduct a more legitimate enterprise. One community is in the fish farming business. Another has restored their hand knitting tradition and is attempting to get their finished products on the world market."—Educational Media Reviews Online

2003 Award of Merit in Film, Latin American Studies Association
2nd Prize for Best Documentary, 2002 Bogota International Film Festival
  

30 minutes / color
Release Date: 2001
Copyright Date: 2001
Sale: $225

Subject areas:
Agriculture, Anthropology, Business and Economics, Colombia, Cultural Anthropology, Ecology, Environment, Geography, Human Rights, Indigenous Peoples, Latin America

Related Titles:
La Sierra: Tracing a year in the life of a neighborhood in Medellin, Colombia ruled by a paramilitary gang, this is a searing exploration of three lives defined by years of overwhelming violence.

Societies Under The Influence: Argues that the "drug war" we read about in our newspapers everyday is a corrupt and pernicious front that protects our judicial system, big business, organized crime and American foreign agendas.

Medellin Notebooks: In one high school class in Medellin, Colombia, the students are asked to record their personal and family stories in notebooks.

Welcome to Colombia: Millions of displaced persons, 35,000 murders per year, a kidnapping every ten minutes ... but as Colombian filmmaker Catalina Villar traverses her country, she finds hope in people working for peaceful change.

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